{"id":3074,"date":"2018-08-27T05:33:09","date_gmt":"2018-08-27T03:33:09","guid":{"rendered":"https:\/\/www.plm.ba\/repertoire\/the-hedgehogs-home\/"},"modified":"2018-08-27T05:38:09","modified_gmt":"2018-08-27T03:38:09","slug":"the-hedgehogs-home","status":"publish","type":"page","link":"https:\/\/www.plm.ba\/en\/repertoire\/the-hedgehogs-home\/","title":{"rendered":"The Hedgehog’s Home"},"content":{"rendered":"
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ABOUT THE PLAY<\/strong><\/h3>\n[\/vc_column_text][vc_separator color=”chino”][vc_column_text]\n

AUTHOR TEAM<\/strong><\/h4>\n

Director: Robert Waltl
\nScenography and Puppets: Dejan Kljun
\nMusic: Uro\u0161 Rakovec
\nCoreography: Natalija Manojlovi\u0107<\/p>\n[\/vc_column_text][vc_column_text]\n

ACTORS<\/strong><\/h4>\n

Sergio Rado\u0161 \u2013 Hedgy the Hedgehog
\nSabina Halilovi\u0107 \u2013 The Fox
\nIgor Vida\u010dkovi\u0107 \u2013 The Wolf and The Bunny
\nNed\u017ead Maksumi\u0107 \u2013 The Bear
\nDiana Ondelj-Maksumi\u0107 and Nermina Denjo \u2013 The Wild Boar<\/p>\n[\/vc_column_text][vc_separator color=”chino”][vc_column_text]\n

PLAY REVIEW<\/strong><\/h4>\n

Robert Waltl created his own world of images of the wonders that were freed from the textual template of \u0106opi\u0107’s story and became independent in its own authenticity of experiencing nature. It more so transformed into its own philosophy of relations with the original spaces of human habitat, which managed to carry \u0106opi\u0107’s intent – the attachment to the birth place. Waltl’s philosophy is here crystallized in the colored tones that he uses to shape his own scenic world. The colors of costumes, worn by his and \u0106opi\u0107’s heroes, are the colors of a mild approach to the ripeness of the early fall. It is \u0106opi\u0107’s pantheistic philosophy, but given in a more refined style of a contemporary European intellectual. Precisely this refinement is felt in the intensity of the colors where colors no longer serve to attribute the real world, but represent a thought category through which Waltl sees the primal world of \u0106opi\u0107’s fantasy game. Waltl does not distance himself from \u0106opi\u0107, he does not let him down, but only intensifies those components that appear as references to his own understanding of the natural world. \u0106opi\u0107 and Waltl co-create a unique theme, but each of them has its own autonomous field of understanding of this “unique theme”.
\nThe puppet realization by Dejan Kljun was extraordinary; he was also the constructor of the stage where the action took place. The dimensions of the puppets were superior to the stage space, and this was an addition to their monumentality and scenic comprehension. They were proportional to their animators, which contributed to the playfulness of puppets in such a formulated space.
\nActors of the play, the six young and enthusiastic members of the Puppet Theater Mostar, are genuinely dedicated to what they chose as their life commitment – to be actors of this kind of theater, predisposed to accepting directorial demands and translating them into an artistic act. With their play, they give plasticity to stage scenes and live pictures that cross the ramp and pour into audience in wide streams. The ensemble has exhibited yet another aspect of its creative possibilities – the evident power of musical interpretation as the first lines of “The Hedgehog’s House” are considered as the choir singing.
\nThe \u201cdrama\u201c starts with a letter by which Lisica invites Hedgy the Hedgehog to a feast. Hedgy gladly responds, and with these scenes \u0106opi\u0107 translated his pantheism into a plot, into the course of events, and an imagined stream of forest life. The Fox gets intrigued by what Hedgy’s house must be like when he longs for it so much. Curious as she is, she goes to check it out. On her nighttime trip, she also meets other actors: The Wolf, The Bear and the Wild Boar, who join the Fox’s hike. This march is the main thematic part of the play, and the main shares in which the actors of the performance express their creative power.
\nWaltl shaped the play as a form of a collective play, but at the same time he sought for elements that would enable actors to show their creative individuality by giving a full “character” to each role by building on the elements that \u0106opi\u0107 incorporated into them.
\nEverything in this play is at an enviable creative height: the painted factor, the articulation of the stage space, the music on which the architecture of the performance is based as well as the acting of the actors. This performance, according to its imaginative formulations, is intended for the young audience, but it can satisfy all those who can still find enough freshness in life and enjoy Hedgy’s awe-inspiring love for his home.
\nThis play of the Puppet Theater Mostar marks the begining of the celebration of the 55th Jubilee Anniversary of existance of this Mostarian theater house.<\/p>\n

Vojislav Vujanovi\u0107<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”1921″ img_size=”medium” alignment=”center” onclick=”link_image” css_animation=”bounceInLeft” curly_max_width=”540″ curly_width=”540″][vc_separator color=”chino” el_width=”50″][info_banner_vc image_id=”1490″]\n

PREMIERE<\/strong><\/h4>\n
2007.<\/h5>\n[\/info_banner_vc][vc_separator color=”chino” el_width=”50″][vc_column_text]\n

AGE<\/strong><\/h4>\n

4+<\/strong><\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_images_carousel images=”1721,1722,1723,1724,1725,1726″ img_size=”large” slides_per_view=”3″ hide_pagination_control=”yes” wrap=”yes”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_column_text] ABOUT THE PLAY [\/vc_column_text][vc_separator color=”chino”][vc_column_text] AUTHOR TEAM Director: Robert Waltl Scenography and Puppets: Dejan Kljun Music: Uro\u0161 Rakovec Coreography: Natalija Manojlovi\u0107 [\/vc_column_text][vc_column_text] ACTORS Sergio Rado\u0161 \u2013 Hedgy the Hedgehog Sabina Halilovi\u0107 \u2013 The Fox Igor Vida\u010dkovi\u0107 \u2013 The Wolf and The Bunny Ned\u017ead Maksumi\u0107 \u2013 The Bear Diana Ondelj-Maksumi\u0107 and Nermina Denjo \u2013 The Wild Boar [\/vc_column_text][vc_separator color=”chino”][vc_column_text] […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3074","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/comments?post=3074"}],"version-history":[{"count":0,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3074\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3006"}],"wp:attachment":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media?parent=3074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}