{"id":3096,"date":"2018-08-27T11:04:38","date_gmt":"2018-08-27T09:04:38","guid":{"rendered":"https:\/\/www.plm.ba\/repertoire\/a-cloud-in-love\/"},"modified":"2018-08-27T11:07:58","modified_gmt":"2018-08-27T09:07:58","slug":"a-cloud-in-love","status":"publish","type":"page","link":"https:\/\/www.plm.ba\/en\/repertoire\/a-cloud-in-love\/","title":{"rendered":"A Cloud in Love"},"content":{"rendered":"
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ABOUT THE PLAY<\/strong><\/h3>\n

It was a long time ago. Many of you have not been born yet, and our respected celebrator, the Puppet Theater Mostar which is currently celebrating 50 years of existence, was only 35 years old at that time. And I was fifteen years younger. Even the world was younger \u2013 it still hadn’t face the difficult, even tragic experiences of the end of 20th and the beginning of the 21st century.
\nPrecisely then I spent the hot July in the beautiful city of Mostar; I was in the Puppet Theater Mostar preparing a classic Polish fairy tale about Poor Marica, whose goats were taken by a fox, so she had to set out on a long journey, aided by the dwarfs, to the faraway mountains to reach Queen Tatra. Perhaps your parents or your older brothers and sisters had watched her adventures.
\nToday, when Mrs. Ranka Muteveli\u0107 and the new generation of actors in the Puppet Theater Mostar invited me, I want to introduce you to another brave girl, the lovely Aisha from a Turkish fairy tale. She lives with her friends Bunny and Pigeon among the flowers in her garden, and she is happy. Unfortunately, others want to destroy her hapiness… But I will not be the one telling you that story. Dervish, who is now entering the theater, will tell you all about it while playing a very unusual instrument. Have you heard him playing the ney?<\/p>\n

I wish that the protective cloud always floats not only over the garden of your theater, but also over the gardens of your homes and all over Mostar.<\/p>\n

Wojciech Wieczorkiewicz, Director<\/p>\n[\/vc_column_text][vc_separator color=”chino”][vc_column_text]\n

AUTHOR TEAM<\/strong><\/h4>\n

\n

Director’s Assistant: Tanja Mileti\u0107-Oru\u010devi\u0107
\nOn the basis of the work by Nazim Hikmet
\nAdaptation: Malgorzata Labecka-Koecherowa
\nTranslation: Tanja Mileti\u0107 \u2013 Oru\u010devi\u0107
\nScenography, Costumes and Puppet Design: Vanja Popovi\u0107
\nMusic: Atilla Aksoj
\nPuppet Construction: Ivica Bilek
\nScenography and Props: Mirsad Bijedi\u0107
\nText \u201cAicha’s Dream\u201d adapted by Ned\u017ead Maksumi\u0107
\nLead Technician: Amer \u0106ati\u0107<\/p>\n[\/vc_column_text][vc_column_text]\n

ACTORS<\/strong><\/h4>\n

Diana Ondelj-Maksumi\u0107 (Aisha, Elif)
\nNermina Denjo (The Cloud, The Pigeon, The Nettle)
\nSergio Rado\u0161 (Dervish, The Vortex, Mahmut)
\nNed\u017ead Maksumi\u0107 (Kara Sejfi, The Rabbit, Murat, The Hermit, The Black Feather)
\nEdin Ljubovi\u0107 (No Name)
\nAlternation Emir Kapetanovi\u0107<\/p>\n[\/vc_column_text][vc_separator color=”chino”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”1991″ img_size=”medium” alignment=”center” onclick=”link_image” css_animation=”bounceInLeft” curly_max_width=”540″ curly_width=”540″][vc_separator color=”chino” el_width=”50″][info_banner_vc image_id=”1490″]\n

PREMIERE<\/strong><\/h4>\n
November 29, 2002<\/h5>\n[\/info_banner_vc][vc_separator color=”chino” el_width=”50″][vc_column_text]\n

AGE<\/strong><\/h4>\n

5+<\/strong><\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_images_carousel images=”1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952″ img_size=”large” slides_per_view=”3″ hide_pagination_control=”yes” wrap=”yes”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_column_text] ABOUT THE PLAY It was a long time ago. Many of you have not been born yet, and our respected celebrator, the Puppet Theater Mostar which is currently celebrating 50 years of existence, was only 35 years old at that time. And I was fifteen years younger. Even the world was younger \u2013 it still hadn’t face the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3096","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/comments?post=3096"}],"version-history":[{"count":0,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3096\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3006"}],"wp:attachment":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media?parent=3096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}