{"id":3105,"date":"2018-08-27T12:51:14","date_gmt":"2018-08-27T10:51:14","guid":{"rendered":"https:\/\/www.plm.ba\/repertoire\/the-puss-in-boots\/"},"modified":"2025-10-16T14:39:17","modified_gmt":"2025-10-16T12:39:17","slug":"the-puss-in-boots","status":"publish","type":"page","link":"https:\/\/www.plm.ba\/en\/repertoire\/the-puss-in-boots\/","title":{"rendered":"The Puss in Boots"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text]\n<h3><strong>ABOUT THE PLAY<\/strong><\/h3>\n<p>Dear children,<\/p>\n<p style=\"text-align: justify;\">Many years ago I had a chance to visit Mostar for only a few hours. Back then I thought it would be nice to spend there at least a few days to get to know it better. It seems to me that Mostar is a miraculous place because my wishes to visit it again have come true.<\/p>\n<p style=\"text-align: justify;\">The Director of Puppet Theater Mostar, Mrs. Ranka Muteveli\u0107, invited Bulgarian artists to perform a play in Mostar. I accepted this invitation with great joy. I&#8217;ll tell you a secret: it was just because of my old wish to see Mostar again. Now, when I met the Puppet Theater collective, my joy is two-fold: I have the opportunity to be in Mostar, but also to work with talented, exceptional and enthusiastic actors. Together with them, I prepared for you a fairy tale of Charles Perrault &#8220;The Puss in Boots&#8221; in the dramatization of Veneta Antonova.<\/p>\n<p style=\"text-align: justify;\">Everyone likes to hear old fairy tales because they can always find something familiar and close to them, but also something new that they have never discovered before. Unfortunately, &#8220;every fairy must come to an end&#8221;. Soon I&#8217;ll have to say good-bye to the beautiful Mostar, its emerald Neretva, its warm and cordial citizens and everyone from the Puppet Theater. I leave Mostar with the hope that I became part of its theater family and left a trace in their hearts.<br \/>\nDear children, I want you to be happy and enjoy our performance at this Theater that exists because of you. Be like the Cat of this fairy tale; be full of optimism and faith in your possibilities.<\/p>\n<p>Keep growing healthy and happy in the unique city of Mostar!<\/p>\n<p style=\"text-align: right;\">Elzbieta Eysymont, Director<\/p>\n[\/vc_column_text][vc_separator color=&#8221;chino&#8221;][vc_column_text]\n<h4 style=\"text-align: left;\"><strong>AUTHOR TEAM<\/strong><\/h4>\n<p style=\"text-align: left;\">Director: Elzbieta Eysymont<br \/>\nDirector&#8217;s Assistant: Muhamed Nametak<br \/>\nWritten by: Charles Perrault<br \/>\nTranslation from Bulgarian: Roumiana Nikolova<br \/>\nText Editing and Song Adaptation: Ned\u017ead Maksumi\u0107 i Diana Ondelj \u2013 Maksumi\u0107<br \/>\nScenography, Costume Design, Puppet Construction, Painting and Light Design: Ivan Conev<br \/>\nPuppet and Scenography Construction: Ivanka Getova<br \/>\nCostume Construction: Mensur Kazazi\u0107<br \/>\nDecoration Construction: Mirsad Bijedi\u0107<br \/>\nLead Technician: Amer \u0106ati\u0107<br \/>\nMusic: Milen Vassilev<\/p>\n[\/vc_column_text][vc_column_text]\n<h4 style=\"text-align: left;\"><strong>ACTORS<\/strong><\/h4>\n<p style=\"text-align: left;\">Diana Ondelj Maksumi\u0107 \u2013 The First Actor, The Puss in Boots<br \/>\nAli Kamer Aksoy \u2013 The Second Actor, The Youngest Brother, The Harvesters, The Mower<br \/>\nNed\u017ead Maksumi\u0107 \u2013 The Third Actor, The Tzar, The Cannibal<br \/>\nLejla Paji\u0107 \u2013 The Fourth Actor, The Princess<\/p>\n[\/vc_column_text][vc_separator color=&#8221;chino&#8221;][vc_column_text]\n<h4 style=\"text-align: left;\"><strong>PLAY REVIEW<\/strong><\/h4>\n<p style=\"text-align: justify;\">The play&#8217;s artistry should be noted \u2013 pastel tones are dominant, except for the color of the cat boots; they are given an intense red color. Actors appear in a threefold role: as interpreters, as animators of props, and as puppet leaders. Moving from one to another role is &#8220;given in an open form, without hiding the process of modulation of particular scenes, as these actions are embedded in the game itself.&#8221; The game played by Diana Ondelj-Maksumi\u0107, as noted by the critic, &#8220;is permeated by outstanding spontaneity, and yet, her every movement, gesture, mimicry, eye movement, expresses her integrity, expressive fullness, thoughtfulness, and rhythm.&#8221; Her animation of the Cat is raised up to virtuosity.<\/p>\n<p style=\"text-align: right;\">Vojislav Vujanovi\u0107<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;2672&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css_animation=&#8221;bounceInLeft&#8221; curly_max_width=&#8221;540&#8243; curly_width=&#8221;540&#8243;][vc_separator color=&#8221;chino&#8221; el_width=&#8221;50&#8243;][info_banner_vc image_id=&#8221;1490&#8243;]\n<h4 style=\"text-align: center;\"><strong>PREMIERE<\/strong><\/h4>\n<h5 style=\"text-align: center;\">June 21, 2001<\/h5>\n[\/info_banner_vc][vc_separator color=&#8221;chino&#8221; el_width=&#8221;50&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong>AGE<\/strong><\/h4>\n<h2 style=\"text-align: center;\"><strong>5+<\/strong><\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221;][vc_column][vc_images_carousel images=&#8221;2659,2660,2661,2662,2663,2664,2665,2666,2667,2668,2669,2670,2671&#8243; img_size=&#8221;large&#8221; slides_per_view=&#8221;3&#8243; hide_pagination_control=&#8221;yes&#8221; wrap=&#8221;yes&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text] ABOUT THE PLAY Dear children, Many years ago I had a chance to visit Mostar for only a few hours. Back then I thought it would be nice to spend there at least a few days to get to know it better. It seems to me that Mostar is a miraculous place because my wishes to visit it [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3105","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/comments?post=3105"}],"version-history":[{"count":0,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3105\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3006"}],"wp:attachment":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media?parent=3105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}