{"id":3111,"date":"2018-08-27T13:10:22","date_gmt":"2018-08-27T11:10:22","guid":{"rendered":"https:\/\/www.plm.ba\/repertoire\/the-muddy-duck\/"},"modified":"2018-08-27T13:11:28","modified_gmt":"2018-08-27T11:11:28","slug":"the-muddy-duck","status":"publish","type":"page","link":"https:\/\/www.plm.ba\/en\/repertoire\/the-muddy-duck\/","title":{"rendered":"The Muddy Duck"},"content":{"rendered":"
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ABOUT THE PLAY<\/strong><\/h3>\n

Stories can be read in different ways, and thus they can have different meanings. I was personally obsessed with two underlying messages of this lovely story about a playful Duck.<\/p>\n

The first message: It is perfectly clear that cunning foxes are lurking for innocence and naivety. Their foxiness and power can only be overcome with courage and unity.<\/p>\n

The second message offers a more poetic, slightly nostalgic view of two dreamers, two clowns that are enthusiastic about the dreams of glory, applause, happiness, and sadness under the lights of the stage of the abandoning century. It offers a glimpse of their infinite willpower to build a better and more just world by using imagination.
\nChildren should seek conclusions in both ways of reading. However, I would also recommend to the adults to think deeply about the second way, but also to refrain from considering the first one as rhetorical.<\/p>\n

Hamica Nametak, Director<\/p>\n[\/vc_column_text][vc_separator color=”chino”][vc_column_text]\n

AUTHOR TEAM<\/strong><\/h4>\n

Adaptation and Director: Hamica Nametak
\nWritten by: N. Gernetova \u2013 T. Gurevi\u010dova
\nSound and Lighting: Amer \u0106ati\u0107
\nStage Tehnician: Mirsad Bijedi\u0107
\nPainting by Students of The Pedagogical Academy: Jagoda Gosto, Lejla \u0160ehi\u0107, Elvedina Hrustanovi\u0107, Dolores Veledar, Husein \u0160ljivo<\/p>\n[\/vc_column_text][vc_column_text]\n

ACTORS<\/strong><\/h4>\n

Ned\u017ead Maksumi\u0107 \u2013 Clown A, Jasko the Sheperd
\nSergio Rado\u0161 \u2013 Clown B, Hedgehog the Pricker
\nDiana Ondelj \u2013 Maksumi\u0107 \u2013 The Wise Fox
\nNermina Denjo \u2013 The Muddy Duck<\/p>\n[\/vc_column_text][vc_separator color=”chino”][vc_column_text]\n

PLAY REVIEW<\/strong><\/h4>\n

The performance includes various puppet techniques – from rod puppets javjaka and hand puppets guignols to playing with hands and objects. The game is based on the principle of clowns. Clowns are played by Ned\u017ead Maksumi\u0107 and Sergio Rado\u0161 who have “worked out and played these parts with a distinctive stage charm and ease of play”.<\/p>\n

Ljubica Ostoji\u0107<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”1969″ img_size=”medium” alignment=”center” onclick=”link_image” css_animation=”bounceInLeft” curly_max_width=”540″ curly_width=”540″][vc_separator color=”chino” el_width=”50″][info_banner_vc image_id=”1490″]\n

PREMIERE<\/strong><\/h4>\n
May 18, 2000<\/strong><\/h5>\n[\/info_banner_vc][vc_separator color=”chino” el_width=”50″][vc_column_text]\n

AGE<\/strong><\/h4>\n

5+<\/strong><\/h2>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_images_carousel images=”1630,1631,1632,1633,1634,1635″ img_size=”large” slides_per_view=”3″ hide_pagination_control=”yes” wrap=”yes”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_column_text] ABOUT THE PLAY Stories can be read in different ways, and thus they can have different meanings. I was personally obsessed with two underlying messages of this lovely story about a playful Duck. The first message: It is perfectly clear that cunning foxes are lurking for innocence and naivety. Their foxiness and power can only be overcome with […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3111","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/comments?post=3111"}],"version-history":[{"count":0,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3111\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3006"}],"wp:attachment":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media?parent=3111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}