{"id":3531,"date":"2019-10-11T17:06:41","date_gmt":"2019-10-11T15:06:41","guid":{"rendered":"https:\/\/www.plm.ba\/repertoire\/fairy-tale-of-lost-time\/"},"modified":"2021-08-31T12:59:35","modified_gmt":"2021-08-31T10:59:35","slug":"fairy-tale-of-lost-time","status":"publish","type":"page","link":"https:\/\/www.plm.ba\/en\/repertoire\/fairy-tale-of-lost-time\/","title":{"rendered":"Fairy Tale of Lost Time"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text]\n<h3><strong>ABOUT THE PLAY<\/strong><\/h3>\n<p>Time. What is time if not a substance invisible to the eye, but that can be heard in a heartbeat, seen behind the eyelids, and felt deep inside in every pore of human skin. It&#8217;s both nowhere and everywhere. But who listens to the heart beating nowadays, or who dares to take a peek behind the eyelids and who comes to think of skin pores at all?<\/p>\n<p>The &#8220;Fairy Tale of Lost Time&#8221; is a story that essentially talks about the transience of time and preciousness of human life. It is an interesting, witty and above all poetic play about a boy called Petja Mihajlovi\u010d Zubov who was turned into an old man because of his distinctiveness, shyness and the ability to feel the world and the existence of time. The unfortunate event that happens only once in a trillion years turned Petja into an old man, as well as Stasja, a girl whom he liked and who enjoyed reading books and listening to Petja talking with time, i.e. to himself. In order to find her among a crowd of old ladies and bring back his youthful age, Petja set on a journey of getting to know himself through accepting his feelings.<\/p>\n<p>This somewhat fantastic and enigmatic play was inspired by the eponymous fairy tale written by the Russian writer, Eugene Schwartz (Eugene Schwartz). Today, the story serves to remind us of the mortality of every individual, and of a very short amount of time we have on disposal to live in a way our heart craves or in a way the substance of which we are woven tells us.<\/p>\n<p style=\"text-align: right;\">Tamara Ku\u010dinovi\u0107, director<\/p>\n[\/vc_column_text][vc_separator color=&#8221;chino&#8221;][vc_column_text]\n<h4 style=\"text-align: left;\"><strong>THE AUTHORING TEAM<\/strong><\/h4>\n<p style=\"text-align: left;\">Director &amp; Author: Tamara Ku\u010dinovi\u0107<br \/>\nDrama Assistant: Nik\u0161a Eldan<br \/>\nCreator of Puppets and set design: Alena Pavlovi\u0107<br \/>\nPuppets technology: Alena Pavlovi\u0107 i Lu\u010di Vidanovi\u0107<br \/>\nText adaptation: Ned\u017ead Maksumi\u0107<br \/>\nKomposer: Atilla Aksoj<br \/>\nCostume design: Nadina Hubana<br \/>\nLight design: Tamara Ku\u010dinovi\u0107<\/p>\n<p>Production of scenery &amp; Puppets: Alena Pavlovi\u0107, Lu\u010di Vidanovi\u0107, \u0110enan Behmen<br \/>\nMaster of music &amp; light: Amer \u0106ati\u0107<br \/>\nMaster of the scene: \u0110enan Behmen[\/vc_column_text][vc_column_text]\n<h4 style=\"text-align: left;\"><strong>CHARACTERS<\/strong><\/h4>\n<p>Mr. TIME &#8211; Sergio Rado\u0161<br \/>\nPETJA &#8211; Igor Vida\u010dkovi\u0107<br \/>\nSTASJA, LIBRARY- Fatima Kazazi\u0107<br \/>\nGRANNY &#8211; Nina Popovi\u0107<br \/>\nPLAYER &#8211; Nermina Denjo \/ Ali Kamer Aksoy[\/vc_column_text][vc_column_text]\n<h4 style=\"text-align: left;\"><a href=\"https:\/\/www.plm.ba\/en\/about-us\/awards\/\"><strong>AWARDS<\/strong><\/a><\/h4>\n<p><strong>5th International Children\u2019s Art Festival Sarajevo (FEDU) \/ 06.05.2019.<\/strong><br \/>\n&#8211; Award for the best text or adaptation by TAMARA KU\u010cINOVI\u0106 for dramatization \u201cFairy Tale of Lost Time\u201d performed by the Mostar Puppet Theater, BiH<br \/>\n&#8211; Award for Best Actress FATIMI KAZAZI\u0106 for the role in the play \u201cFairy Tale of Lost Time\u201d Mostar Puppet Theater.<\/p>\n<p><strong>XX International Festival of Professional Puppet Theaters &#8211; LUT FEST, East Sarajevo \/ 17.05.2019.<\/strong><br \/>\n&#8211; <strong>Grand Prix &#8220;Golden Anime&#8221;<\/strong> for the best play of the Festival,<br \/>\n&#8211; Award for Best Acting Award went to Igor Vidackovic,<br \/>\n&#8211; Award for Best Director Tamara Kucinovic,<br \/>\n&#8211; Award &#8220;Magic of Puppetry&#8221; &#8211; Radoslav Lazic play &#8220;Fairy Tale of Lost Time&#8221; Puppet Theater Mostar.<\/p>\n<p><strong>18th International Children\u2019s Theater Festival Banja Luka \/ 12.10.2019.<\/strong><br \/>\n&#8211; Award for the best actor to Igor Vidackovic (for the main role),<br \/>\n&#8211; Special award for the complete author\u2019s work of Tamara Kucinovic.<\/p>\n<p><strong>5th International Festival of Educational Theater \u2013 IFET 2019. \/ 09.12.2019.<\/strong><br \/>\n&#8211; According to the decision of the Audience Jury, the \u201cBoard that means life\u201d award for the best play of the 5th IFET was given to the play \u201cFairy Tale of Lost Time\u201d produced by the Mostar Puppet Theater.<\/p>\n<p><strong>22nd International Puppet Festival \u201cGolden Spark\u201d, Kragujevac \/ 20.11.2020.<\/strong><br \/>\n&#8211; The award for the creation of puppets is given to Alena Pavlovi\u0107 for the creation of puppets in the play \u201cFairy Tale of Lost Time\u201d directed by Tamara Ku\u010dinovi\u0107 and performed by the Puppet Theater from Mostar.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;3304&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css_animation=&#8221;bounceInLeft&#8221; curly_max_width=&#8221;540&#8243; curly_width=&#8221;540&#8243;][vc_separator color=&#8221;chino&#8221; el_width=&#8221;50&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong>PREMIERE<\/strong><\/h4>\n<h2 style=\"text-align: center;\"><strong>28.02.2019.<\/strong><\/h2>\n[\/vc_column_text][vc_separator color=&#8221;chino&#8221; el_width=&#8221;50&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong>AGE<\/strong><\/h4>\n<h2 style=\"text-align: center;\"><strong>7+<\/strong><\/h2>\n[\/vc_column_text][vc_separator color=&#8221;chino&#8221; el_width=&#8221;50&#8243;][vc_column_text]\n<h4 style=\"text-align: center;\"><strong>DURATION<\/strong><\/h4>\n<h5 style=\"text-align: center;\">45 min<\/h5>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; content_placement=&#8221;middle&#8221; curly_bg_repeat=&#8221;bg-repeat-x&#8221; curly_bg_position=&#8221;bg-pos-center-center&#8221; curly_bg_parallax=&#8221;true&#8221; css=&#8221;.vc_custom_1627052846526{background-image: url(https:\/\/www.plm.ba\/wp-content\/uploads\/2021\/07\/puppet-theater-in-mostar-big-scene.jpg?id=4495) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;42px&#8221;][vc_images_carousel images=&#8221;3306,3308,3310,3312,3314,3316,3318,3320,3322&#8243; img_size=&#8221;full&#8221; slides_per_view=&#8221;2&#8243; hide_pagination_control=&#8221;yes&#8221; partial_view=&#8221;yes&#8221; wrap=&#8221;yes&#8221; title=&#8221;Photo gallery&#8221;][vc_empty_space height=&#8221;42px&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Time. What is time if not a substance invisible to the eye, but that can be heard in a heartbeat, seen behind the eyelids, and felt deep inside in every pore of human skin. It&#8217;s both nowhere and everywhere. But who listens to the heart beating nowadays, or who dares to take a peek behind the eyelids and who comes to think of skin pores at all?<\/p>\n","protected":false},"author":1,"featured_media":3290,"parent":3006,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3531","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/comments?post=3531"}],"version-history":[{"count":0,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3531\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/pages\/3006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media\/3290"}],"wp:attachment":[{"href":"https:\/\/www.plm.ba\/en\/wp-json\/wp\/v2\/media?parent=3531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}